The Eye of the Frog. Questions of Space in Films Using Digital Processes
Tudor D.
Article. — The Cinema Journal. — 2008. — Vol. 48. — No. 1 (Fall) — pp. 90-110.This article maps initial cinematic terrains produced through digital processes. Composited shots, multiple screens, and new transition strategies shift viewers' understanding of spatial relations, reconfigure shot boundaries, and construct "semantic clusters" combining diferent types of information. Digital processes recreate older cinematic styles, and resituate production culturally, economically, and institutionally.
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